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	<title>Event Calendar</title>
	<link><![CDATA[http://www.thenoiseboard.com/index.php?act=calendar&calendar_id=1]]></link>
	<pubDate>Thu, 17 May 2012 02:31:50 -0700</pubDate>
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	<description>Event Calendar</description>
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		<title><![CDATA[Ken Reid's Shirt Tales]]></title>
		<link><![CDATA[http://www.thenoiseboard.com/index.php?act=calendar&code=showevent&calendar_id=1&event_id=4297]]></link>
		<description><![CDATA[<p>Ken Reid's Shirt Tales<br />YMCA Cambridge Theatre<br />Cambridge, MA<br /><br />Comedian Ken Reid brings his fourth one man show back to the Cambridge YMCA Theater. A full length multi-media one man story telling comedy show show which will include a short history of the t-shirt and a longer history of Ken Reid. Ken will tell humorous, bittersweet and occasionally bizarre tales from his life, using his personal t-shirt collection as a gateway into his own personal timeline.<br /><br />Ken was nominated by the Boston Phoenix as Boston's Best Comedian in 2010 and 2012. He has opened for Todd Barry, Eugene Mirman, Patton Oswalt and Bob Saget. He is also the regular Friday night host at the world famous Comedy Studio and has staged one man shows in the greater Boston area, and  at the UCB in New York.<br /><br />Ken will be joined by Chanteuse Niki Luparelli (http://www.nikiluparelli.com/) who will be opening the show as only a true entertainer can. <br /><br />$15, 730 Show. $15 includes a limited edition event t-shirt with admission.<br /><br />Tickets available <a href="http://www.brownpapertickets.com/event/227449" target="_blank">here</a><br /><br />More info about Ken available <a href="http://www.ikenreid.com/" target="_blank">here</a></p>
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<p>Single Day Event On: 5/19/2012</p>]]></description>
		<pubDate>Fri, 18 May 2012 17:00:00 -0700</pubDate>
		<guid isPermaLink="false">4297</guid>
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		<title>OPENSOUND: improvised and experimental music</title>
		<link><![CDATA[http://www.thenoiseboard.com/index.php?act=calendar&code=showevent&calendar_id=1&event_id=4303]]></link>
		<description><![CDATA[<p><b>   Covers (three groups performing improvisations and familiar tunes)</b><br /><br />   Covers set 1: OK Chorale<br />   Matt Samolis - flute<br />   Forbes Graham - trumpet<br />   Tom Plsek - trombone<br />   Steve Norton - bass clarinet<br />   Vic Rawlings - prepared cello<br /><br />   Covers set 2: Duck That<br />   Angela Sawyer - voice, electronics, game calls<br />   Josh Jefferson - reeds, game calls<br />   Steve Norton - reeds, percussion, celesta, game calls<br /><br />   Covers set 3: De-votion<br />   Vic Rawlings - electronics, guitar<br />   Brendan Murray - synths, guitar<br />   Steve Norton - percussion, saxophone, elec. bass<br />   Chris Strunk - percussion, drums, vocals<br /><br />   duo:<br />   D. Greenwood - handmade electronics<br />   J. Starpoli - amplified trombone<br /><br />   trio:<br />   Michael Rosenstein, electronics<br />   Vic Rawlings, exposed electronics, speakers<br />   Angela Sawyer, electronics<br /><br />_______________________________________<br /><b><br />   Saturday, May 19, 2012</b><br /><br />   Third Life Studios<br />   33 Union Square<br />   Somerville, MA<br />   (Almost at the heart of Union Square, on the segment of<br />   Somerville Ave. coming into Union Square from Porter Square)<br /><br />   For directions and parking:<br />   <a href="http://www.thirdlifestudio.com/directions.html" target="_blank">http://www.thirdlifestudio.com/directions.html</a><br /><br />   Doors open at 7:30. / music at 8:00 p.m.<br />   $8 admission<br /><br />_______________________________________<br /><br />   Opensound is a monthly concert series that explores improvised and<br />   experimental music, bringing artists from disparate backgrounds<br />   together for unique events in Somerville MA. The process of<br />   improvisation combines the distinctive voices of its individual<br />   performers. The music that results is often surprising, unconventional<br />   and dynamic. It s not uncommon to hear music made of electronic<br />   crackles, noisy multi-phonics, gurgling, hissing, quiet<br />   vocalized gibberish, atonal noodling, bowed metal, blowing sounds,<br />   post-everything harmony, and a thousand shades of hullabaloo.<br /><br />   You may also see video and dance cohabitating with buzzes, clicks,<br />   drones, wooshes, and bleeps in a bizarre galaxy of pitch and spectra!<br /><br />_______________________________________<br /><br />   Some Performer Bios<br /><br />   Multi-reedist Steve Norton is best known for his work with the 1990s<br />   Boston-based band Debris. Debris was an ambitious, exuberant, puzzling<br />   band that puzzled together serialism, free jazz and funk. Their music<br />   is in equal measure exhilarating and exhausting. It was the<br />   combination, in part, that burned Norton out about ten years ago, as<br />   well as a need to attend to his job and family. Back in full force now,<br />   at fighting weight, with drive and direction and reinvigorated sound,<br />   he's steaming. Recent projects include the duck-call trio, Duck That,<br />   with Joshua Jefferson and Angela Sawyer; Matt Samolis' Metal and Glass<br />   Ensemble; a trio-without-name performing a stunning rendition of Steve<br />   Lacy's "Tips," with Noell Dorsey on voice and Samolis on flute; and a<br />   duo with Vic Rawlings, Symptomatic.<br /><br />   Composer / performer Jeremy Starpoli has been developing his unique<br />   musical interests in the northeast United States for over two decades.<br />   His original music explores our perception of the fundamental<br />   parameters of musical sound (pitch, rhythm, dynamics and tone color) as<br />   a basis for creating detailed worlds of sound in a variety of styles.<br />   As a composer, Starpoli's interest in sound as a perceptual substance<br />   motivates endless variations of musical material.  As an performer,<br />   Starpoli has over fifteen years experience performing on slide trombone<br />   as well as a variety of bass strings and percussion instruments.  Based<br />   in Western Massachusetts, Starpoli has collaborated with many regional<br />   and internationally-known musicians such as Joe McPhee, Jessica Pavone,<br />   Dan Greenwood (a.k.a. Diagram A), Ben Karetnick, Cliff White, and many<br />   others.  He has performed with groups such his own RICEnsemble, the<br />   Middletown (CT) Creative Orchestra, power-noise-core band Squidlaunch,<br />   etc.  His approach to the trombone utilizes a wide variety of<br />   conventional and extended techniques, allowing for diverse sound-types<br />   and moods.  The music of J Starpoli is noisy and passionate at times,<br />   at others it is textural or rhythmic or melodic, crossing many styles<br />   and sounds in a constant exploration.  Follow the sound.<br /><br />   Vic Rawlings (Boston- amplifier/ prepared cello, speaker elements/<br />   exposed circuitry) employs a still and unstable sound language that<br />   traverses from the visceral excess of the Laurence Cook Disaster Unit<br />   to the extreme austerity of undr quartet.  He has designed and built 2<br />   separate instruments to realize this aesthetic, including extensive and<br />   invasive cello preparations- some directly based on obscure baroque<br />   instrumentation.  The amplified cello is used as a resonant wooden<br />   microphone.  He also continually develops an electronic instrument from<br />   the exposed circuit boards of sound processors, effectively producing<br />   an analog synthesizer with a highly unstable interface.  This<br />   electronic instrument is realized by a flexible array of exposed<br />   speaker elements, chosen for their often unpredictable and<br />   idiosyncratic acoustic qualities.  His solo performances deny<br />   conventional assumptions about the use of time and refuse alliance with<br />   dominant trends in improvised music.<br /><br />   More information available on the web: www.opensound.org</p>
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<p>Single Day Event On: 5/19/2012</p>]]></description>
		<pubDate>Fri, 18 May 2012 17:00:00 -0700</pubDate>
		<guid isPermaLink="false">4303</guid>
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		<title>Le Blorr w/ Sand Reckoner @ Great Scott</title>
		<link><![CDATA[http://www.thenoiseboard.com/index.php?act=calendar&code=showevent&calendar_id=1&event_id=4294]]></link>
		<description><![CDATA[<p>Fenway Recordings Session #171 :: Le Blorr w/ Sand Reckoner @ Great Scott <br /></p>
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<p>Single Day Event On: 5/21/2012</p>]]></description>
		<pubDate>Sun, 20 May 2012 17:00:00 -0700</pubDate>
		<guid isPermaLink="false">4294</guid>
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		<title>2x IBMA Guitar Player of the Year Jim Hurst, JP</title>
		<link><![CDATA[http://www.thenoiseboard.com/index.php?act=calendar&code=showevent&calendar_id=1&event_id=4304]]></link>
		<description><![CDATA[<p>notloB Parlour Concerts welcomes Jim Hurst back to the historic Loring-Greenough House in Jamaica Plain.<br />Wednesday, May 23<br />Doors 7:30, Concert 8:00<br />Suggested donation $14 ($12 Tuesday Club members) plus $1 preservation fee.<br />A one hour lesson in a small group setting is available prior to the concert - <a href="https://www.facebook.com/events/297619016987265/" target="_blank">https://www.facebook.com/events/297619016987265/</a> <br /><br /><img src="https://fbcdn-profile-a.akamaihd.net/hprofile-ak-snc4/50224_217215365051554_2039268336_n.jpg" border="0" alt="IPB Image" /><br /><br />"Jim Hurst is one of the most versatile and tasteful guitar players I know. Whether he's flailing the rhythm for an old time fiddle tune, laying down a funky groove, or finger picking a beautiful ballad, his playing is both impeccable and creative. Accompanying this instrumental virtuosity is a rich and expressive voice with a surprising range." Mark Schatz<br /><br />To listen to Jim Hurst is to be amazed by his tasteful and flawless performances. Perfect timing and tone and his unusual picking style has enchanted guitar players from the novice to his peers. It’s no surprise, then, that his musical mastery began with a musical upbringing paving the way for a winding and varied career path.<br /><br />Born into a musical family, Jim spent his youth playing guitar under the influences of flat-picking greats Tony Rice, Doc Watson, George Shuffler, and Clarence White. But the finger-style playing of Merle Travis, Chet Atkins and Jerry Reed was the “turn in the road” for Jim. This amalgam of impact defined his technique.<br /><br />Using his early years to hone his style, Jim’s guitar work and harmony vocals for Holly Dunn’s Rio Band brought his talent to both the national and international stage. Then in 1992, going electric, he played guitar with Trisha Yearwood, touring extensively and appearing on numerous radio and television shows. He also performed with Travis Tritt, and Sara Evans, whose 1998 RCA release No Place That Far features Jim’s vocals and acoustic guitar work.<br /><br />Craving to play more bluegrass, Jim joined Grammy-nominated Claire Lynch and The Front Porch String Band in 1995, during which time he teamed up with bassist Missy Raines. They began the duet Jim Hurst and Missy Raines while with Front Porch, but then broke off in 2000 to focus solely on their collaboration. Remaining faithful to their bluegrass roots, Jim and Missy explored other genres creating ground-breaking arrangements that wowed the bluegrass community. Their partnership resulted in two Pinecastle Records, Two and Synergy , receiving critical acclaim and garnering them IBMA Guitar and Bass Player of the Year for 2001 and 2002.<br /><br />Desiring greater freedom to create his own musical path, Jim left the Claire Lynch Band in 2010 to embark on a solo career. Already seasoned with two solo recordings, Open Window and Second Son, his latest 2007 release, A Box of Chocolates, exhibits his deft guitar work and soothing vocals. His shows meet with rave reviews as he astounds his audiences with his brilliant playing yet makes people feel right at home with his humble congenial and funny persona. Jim is currently performing solo full time, both nationally and internationally, as well as teaching at camps and workshops in North America and Europe. Additionally, his highly sought-after talent has led to side projects with other bluegrass greats, most recently Rob Ickes and David Grisman. But his solo show, which allows his personal style and unique creativity to come through in spades, is what keeps his audiences mesmerized. <br /><br />=====================<br />Since June 2, 2007, notloB has presented close to 100 old-time, blue/newgrass, folk, Celtic and acoustic blues concerts to audiences throughout the greater Boston area. Our current venues are the historic Loring-Greenough House (built in 1760, 40 intimate seats, unplugged) in Jamaica Plain and the 175 seat Unity, near Davis Square in Somerville. The concerts are volunteer-run and not for profit. 100% of the patron donations go to the artists and production expenses.<br /><a href="https://sites.google.com/site/notlobmusic/" target="_blank">https://sites.google.com/site/notlobmusic/</a></p>
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<p>Single Day Event On: 5/23/2012</p>]]></description>
		<pubDate>Tue, 22 May 2012 17:00:00 -0700</pubDate>
		<guid isPermaLink="false">4304</guid>
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		<title>Destroy Babylon @ Beachcomber (Welfleet)</title>
		<link><![CDATA[http://www.thenoiseboard.com/index.php?act=calendar&code=showevent&calendar_id=1&event_id=4302]]></link>
		<description><![CDATA[<p>more info at: <a href="http://destroybabylon.com/" target="_blank">destroybabylon.com</a></p>
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<p>Single Day Event On: 5/26/2012</p>]]></description>
		<pubDate>Fri, 25 May 2012 17:00:00 -0700</pubDate>
		<guid isPermaLink="false">4302</guid>
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